The Renaissance Center

Tuesday, September 8, 2009

Auditioning 101: The Basics

Since we have auditions for Frankstein: A Radio Show coming up on September 14th and 15th, we thought we'd share with our amazing readers a little bit of auditioning knowledge. Let's face it, going into an audition can be a very nerve-wracking experience. The following tips are like a survival guide for auditioning.

First it is good to understand the two different types of auditions. The first kind is a general, cattle-call interview in which directors simply want to get a sense of what kind of raw talent is out there for possible use in a future show. The second—and the type of auditioning we are using for Frankenstein—is a "cold" reading of the script for a specific play. Cold readings are those in which actors have no prep time to study a script prior to reading it with one or more other actors on stage. Now let's suppose the audition will be comprised of readings from the upcoming play to be produced. Find out the play that is being produced and get your hands on that script pronto! That way it may be a "cold" reading for your peers but you, planning ahead, will have already read the script from cover to cover and feel at ease with the dialogue. You may even have decided which part you would most like to play. That's fine. Do not, however, rule out any of the other roles, especially if you can project a different character or voice for each one. This demonstrates to the director that you're not only versatile but open to just about any part he or she might find you suitable to play.

Okay, now that you've figured out the type, let's talk about what to do for the actual audition. Note that the first step to an audition is having confidence. The assessors aren't looking for someone who fidgets and doesn't want to be in front of people. Sit quietly and wait your turn. Make sure and listen; in some auditions the Stage Manager or Director will give you added instructions that weren't on the audition notice. Wait for your name to be called and then proceed to the stage. Before saying anything, make sure that you have their full attention. You don't want to begin while they are still writing or talking to one another about the previous actor. Wait till you've achieved eye contact with all of them so that they can listen to you from the very beginning. Then, make sure and state your name for the director, regardless if they know you from prior contact. After you audition, the director may ask you some questions or ask you to do a part again. Be patient, answer all questions truthfully, and do the requested part to the utmost of your ability. It may pay off when the director makes their final decision. Once finished, say thank you, and exit so the next person can audition. Make sure and be relaxed going into the audition. If you are calm, cool, and collected, you will do a better job than if you were wound up like a clock.

After the audition comes the waiting… This is probably the toughest part of the whole process. This is the time when you feel most helpless - your fate, at least for this role - is now out of your hands. Before you leave the audition make sure you know where the call back list will be posted or, if there are no callbacks, where the final cast list will be posted and when. Once home, don't stress! Most times actors post-audition will psyche themselves out by analyzing each and every part of the audition, then agonizing until they see the cast list. One word: DON'T. Sometimes there will be many days in between audition and final casting, and sometimes there is even a second audition for call backs to narrow down the field. If that's the case, then be prepared to work with other actors in scenes from the play, and possibly even read for characters you don't want the roles for. But whatever you do before the cast list goes up, don't stress out. It's out of your control, and if you don't get cast, it's not because you are a bad actor. A more likely reason is that the director couldn't find a place for you in his or her vision of the production. Don't get upset with anyone there. This is no time to start blaming anyone for anything, including yourself. Things simply didn't work out. If you are cast, then congratulations. Now the fun really begins!

Don't forget, now that you are a pro, to come audition for Frankenstein at The Renaissance Center on September 14 & 15 at 7pm. No appointment is necessary! If you have questions contact Amy Scott at 615-740-5551 or amy.scott@rcenter.org.
Do you have any tips to share about the auditioning process? Help your fellow actor and comment below!Information compiled from allsands.com and wikihow.com.

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